Claudia Piepenbrocks bildhauerische Arbeit besteht überwiegend aus begehbaren Großplastiken mit den Schwerpunkten Raumordnung und soziale Interaktion. Zonen, die fiktive bis funktionelle Raumstrukturen und Nutzungsansprüche durch ambigue Situationen und dynamische Anpassungsfähigkeit verzerren, insbesondere im öffentlichen Raum, Grenzen oder Normen auflösen, inspirieren ihre Arbeit. In ihrer privaten und gesellschaftlichen Praxis ist sie aktiv als Künstlerin, Programmentwicklerin und Publizistin, wie Gründungsmitglied von n.a.s.a., der BZG. und Projekten wie moving still-life & present tensions .
Diplom, Hochschule für Künste Bremen, Prof. Franka Hörnschemeyer; Fritz Balthaus
2009-2010
University of applied sciences and arts, Ottersberg, Prof. Jochen Stenschke
2006-2008
Atelier 3210, Paderborn, Christina Strunz
Auslandsaufenthalte in Russland (2021), Kanada, USA (2015/16), Kuba, Bolivien, Peru, Ecuador, Kolumbien, Costa Rica, Nicaragua, Honduras, Guatemala, Belize, Mexiko (2012/13), Neuseeland, Samoa, Thailand, Laos, Kambodscha (2008/09)
Artist Kunstmagazin, Ausgabe Nr. 115. Reiner Beßling
2017
RE/TREATS OF THE CONTEMPORARY, Vordemberge Gildewart Award, Kestner Gesellschaft Hannover
2016
HEAL THE WORLD, Ingo Clauß, Peter Friese
2015
LOT. Lack of transmission, online publikation.
home art stories, Städtische Galerie Delmenhorst, Sandra Hampe
2014
Paula Modersohn Becker Kunstpreis
2011
SOMMERANFANG KLEINERWERDEN, Michael Glasmeier
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